And, yes, as a general rule most TVs these days include some kind of motion interpolation or frame smoothing feature that makes cinematic video look a little less jerky and jittery.Maybe you got a great deal on a really expensive one from your mate at the hi-fi shop.Either way, the second you set it up, there are a few small tweaks that you can do to make it look better than it already does.You can spend zero dollars on this or you can spend a couple of hundred, but the result that you get will be a noticeable improvement.
But heres the thing youre looking at that on an (almost certainly) uncalibrated screen, so the differences you see arent so obvious. After calibrating your screen, you can expect a better picture, but that picture is just one that has more detail in it. It wont necessarily be brighter or more saturated or sharper, but it will be more accurate in every one of these metrics. The vast majority of TV buyers out there will unpack their new screen, attach its stand and set it up and plug it in, then do nothing. Straight out of the box, your TV will look OK standard screen profiles are actually surprisingly decent these days but a little bit of tweaking in your screens picture can go a long way. In stores, TVs are almost always set to a specialised Shop mode that pushes brightness way through the roof, almost always pushing colours especially blues and reds to the point of over-saturation and crushing, and throws contrast way off to destroy fine image detail in both highlights and shadowy areas. Under harsh fluorescent shop lighting, and against competitor TVs doing exactly the same thing, this looks good (for a certain value of the word good ) but its not at all representative of what your TV should look like. This is intentionally vague, because from LCD to LED to plasma to OLED, there is a huge gamut of screen types and basic calibrations out there. If you dont want to bother with any of this, just find the Cinema mode in your TVs settings and leave it switched on. As a general rule, your screens brightness will be set slightly too high. ![]() If you lower it by just a couple of notches, youll notice that the black background on your videos disappears a little more, making overall black levels a little more impressive. This is one thing that youll notice a lot, especially with cinematic content with a thinner aspect ratio, where the black border of the video looks grey against the rest of the screen, so lowering brightness is a good starting point. As a general rule, your TVs white balance will be set too far towards the cool end of the colour spectrum, making whites look bluer than they should. Ive found almost universally that pushing a TVs screen slightly towards the warmer end of the spectrum or just to Warm if you only have a few basic options to choose from will give you the most colour-accurate, daylight-white picture. If you have a spectrum of settings to choose from, a slight bias to warm whites is generally a good place to start. As a general rule, your TVs contrast will be set too high, destroying information towards the extreme low and high ends of the blackwhite tone scale and the extreme ends of any colours saturation. ![]() Dont go too far or youll start to make whites and blacks look grey, but you want to achieve a perfect bright white and a perfect dark black while still maximising detail at every point in between. Excessive sharpness can create halos on the edges of high contrast objects and destroy detail. This is a hard one to eyeball, but if Im just doing a quick and dirty clean-up on a TV Ill back off sharpness entirely all the way back to zero and then slowly increase it until Ive found what looks like the natural point for the display, with crisp delineation between high contrast edges but without that halo effect that makes colours bleed over into neighboring pixels.
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